Lee Hadwin
is a talented artist. He has drawn sketches of horses, celebrities, and
beautiful landscapes. He only draws in black and white. Oh, and there is one
other thing. Hadwin only draws in his sleep.
Ever since he was about four years old, he has been waking up to
discover detailed drawings beside his bed. But he doesn’t remember ever having
done the drawings. When he is awake, Hadwin says he can’t draw at all. In fact,
he has no interest in art. During the day, he works as a nurse.
When he was young, Hadwin, who now lives in London, England,
used to cover his walls and tables with his sketches. In his teens, the
drawings became more detailed and intricate.
He started leaving charcoal, paper and pencil crayons out for
himself. While he is asleep, he gets up out of bed and sketches, without ever
waking up. Even though there are paints and coloured pencils for him to use, he
never works in colour—only black and white.
Sometimes he draws twice a week; other times he will go three or
four months without drawing. Hadwin, 33, says if he has had some alcohol to
drink the night before, he is more likely to draw in his sleep.
Once, Hadwin woke up in the morning to find that he had cut up a
pair of his favourite jeans in the night and incorporated it into a piece of
artwork.
Researchers at the Edinburgh Sleep Centre are going to be doing
some research on Hadwin to understand how and why he can sleep-draw. He will
also be the subject of an upcoming documentary film.
Other
people have been known to sleepwalk, to eat in their sleep or even drive a car
in their sleep. The sleep researchers say Hadwin’s sleep-drawing condition is
unique. One researcher speculated that it could be a rare form of epilepsy.
Hadwin is planning to exhibit some of his artwork (which has
raised thousands of pounds for charity) at galleries in London and in Paris. He
says his biggest fear is that he will suddenly stop drawing in his sleep. He
says that every time he wakes up and sees some new art by his bedside he
breathes a sigh of relief.
Edited by Nirrosa Muniandy
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